Rush's First Song To Feature Neil Petart On Vocal

Neil Peart (Instagram @rush)

JAKARTA - Since the first day, Neil Petart has tended to let his music speak. While he may be one of the greatest drummers ever on earth, Petart never wants to talk about how great it is in front of the camera, as happy as he is to sit in the background and beat his drums with enthusiasm at every opportunity on every Rush song. Even though Geddy Lee sings most Rush songs, Petart sometimes appears in front of the microphone.

First appeared on the Fly By Night album, Peart's accuracy behind the drumkit is very different from the previous drummer, John Rutsey. Taking instructions from John Bonham and Keith Moon, Peart said that a clinic in making the drums the leading in a song, playing the fillings of the melody drum that presents music without making it sound too flashy.

In addition to his outstanding skills behind the drums, Peart's readability makes it the right choice for the band's lyricist. Although Lee has written some lyrics in the early days of this group, Petart's different perspectives on the world produce the most nuanced lyric sheets in progressive rock history in songs like Limelight and Closer to the Heart.

Although impressive songs don't always result in recording sales, Petart is determined to make the music he wants in any way needed. After being pushed to make a single hit, Petart's challenge through album 2112 is a "central radius" for stability, starting the album with an epic 20-minute duration of space federations.

Inspired by the labels that rely on them to make commercial material, Zart created a concept centered around different planets in the solar federation run by a group of high priests. When the song vortices found the guitar, the priests treated all forms of creative expression with insults, destroying the instrument to pieces.

For the final part of the song, the federation was canceled with another order, featuring Petart saying the sentence, "Attention of all the planets in the solar federation, we have taken over". According to Petart, this should be the best conclusion of the story, saying to Classic Albums, That's good people. It was a good guy who came in the end, so for me, it had a happy ending. Although the song will be an important recording in Rush's career, it was the only time Peart was in the vocals space.

Over the next few years, Rush's reputation as a rock star caused Zart to avoid the stage for good, writing his different insecurity with fame. After several tours, Petart had the desire to return to the microphone for the song Subdivisions.

Because this band is known to adhere to the texture of synth, the name of the song comes from Petart, which sings it with the sound of a robot being smothered by a reverb on the sidelines of the chorus. While Petart may not have a vocal presence in a group like his bandmates, it's not about trying to be the next Freddie Mercury. Peart feels happy behind his drums, but every time he raises his voice, fans listen to what The Professor says.