Eksklusif Ratu Felisha Jaga Eksistensi Dengan Tetap Humah

Ratu Felishha (Photo: Bambang E Ros, DI: Raga/VOI)

JAKARTA - The celebrity Ratu Felisha is back in a horror film directed by BASE Entertainment's production house entitled Life Revocation Night. In the film, which will start airing starting May 22, Ratu competes acting with several young stars such as Devano Danendra, Keisya Levronka, to Mikha Hernan.

In an exclusive interview with VOI, the Queen tried to tell more about the character she played named Sukma. Broadly speaking, the Queen said that Sukma was a shaman who abused her power to fulfill her personal interests.

Sukma also chose not to have a partner during her life, but she was met by a baby lying in a river where later the child would help her in carrying out her profession as a shaman.

"Here I became a magic shaman named Sukma, but this Sukma abused her power for personal gain which turned out to be a bad fall," he said.

"Actually, I'm sorry for Sukma, she wasn't in the film, but Mas Tata told me how Sukma lived alone, she chose not to have a partner, she didn't have a child, but she picked up, there was a baby lying in the river. Then Sukma was appointed as a child. Later it will be Fajar, who plays his child. When Fajar is big, now the child serves Sukma because Sukma is a shaman, so he needs help, right, Kayak, for example, take what flower, take what keris, now this adopted child is the one who helps Sukma, "added the Queen.

Having a background story with Javanese culture, Ratu admitted that she had difficulty saying several dialogues that required her to use Javanese. She admitted that she had to repeat one word repeatedly in Javanese to sound natural when filming.

Not only having a Javanese dialogue which is a challenge for this 41-year-old woman, playing a character with a Javanese background, it turns out that the Queen has a movement that is as much like a Javanese woman as possible. No wonder during the process of soulizing the character or reading the script, the Queen must follow the dance workshop so that her body looks flexible like a Javanese woman.

"The most difficult thing is that you have a Javanese dialogue, although there aren't many, but you're afraid to hear something that's not natural, so what I'm repeating continues to practice Javanese," said Ratu Felisha.

"So this is it, I feel like when I'm reading, I feel I'm not flexible enough, maybe because I work too every day, so what more is it more to me that my body (my face), while the character of Sukma is flexible, he's a flexible shaman, so that's why we have training and everything like that," said Ratu Felisha.

"Yes, that's why we have coaching with Mas Agus Kencrot, right? If Sukma talks, it's really slow, then if Feli is bacot, this is also crazy, Sukma talks like a Solo bride, that's how it's slowly," he explained.

Uniquely, Ratu Felisha, who knew that Sukma's character came from the original character of a mountain waiting goddess in the Jogja area, who did a separate "strand" that helped her to explore Sukma's character.

"So at that time I had a chance to chat with Mas Tata, with Agus Kencrot too, so in the Kidul there was Dewi, basically she was waiting for the mountains of what she was in Jogja, I forgot what her name was, so I had a browsing-browsing as well as her. Anyway, it really helps when wardrobe is used, all kinds of make-up is just like entering the Sukma. I also every time before take it, it's like 'Sukma please come in. I've given up', because he said there is a goddess waiting for this to be real. It's waiting in Mount Kidul," said Ratu Felisha.

However, the Queen could not hide her gratitude for being able to get Sukma's character in fifilini because she felt that during her career in acting in horror films she had never won a character like this Sukma figure.

"I've never had a character like this. I'm afraid of voting. I've never been a tut, this has only been a tut. There will be a change in Sukma's character when she is still a shaman and she becomes a tut," he concluded.

Ratu Felisha is often known as one of the actors who subscribes to being involved in horror films. Feli, as she is known, started the career of horror actors from the film Kuntilanak (2006) with Julie Estelle, now it doesn't feel like she has had a career in acting for two decades or 20 years.

Even so, the Queen can still exist in the world of Indonesian cinema and is still trusted to be involved in big Indonesian films such as Films such as Revenge, Rindu Must be Paid Completely (2021) and Life Revocation Night Films (2024).

"My first horror was kuntilanak and Julie Estelle, the director at that time Rizal Mantovani from there, what year was it so long, 20 years ago. After that, Bang Nayato took out horror films like the Virgin Ghost of Jeruk Purut, the ghost of Pocong versus Kuntilanak. Yes, horror which only took a week, two weeks to shoot was like a chase, it was like that I finally returned to the horror-horor that is currently happening," said Ratu Felisha.

Seeing his ongoing existence, Feli said this might happen because of several commitments that he continues to admit to this day. First, the commitment to remain humble in carrying out his career and enjoying every process or trip.

"You know, I can't help but feel like I prefer the journey. So it's not looking for the goals but enjoying the trip more. Yes, maybe it's not good to be an ambitious person, but if I feel more comfortable with me now, I've never been like 'Okay I have to get the trophy and so on, the trophy', I never thought about it like that, so just enjoy the process," said Ratu Felisha.

In addition to trying to enjoy every adventure and journey in his career, Feli feels adapted and continues to apply a humble attitude and wanting to learn is also the key for him to continue to exist in the world of Indonesian cinema. Feli admitted that he was amazed by the actings of today's generation which looked more natural than in the past.

"I'm really happy, I think the children now, it means that everything is cool, I still want to learn from gen Z children, right, I feel like my class, so I don't say which one is good, which one is not the same. It's just the way they bring It's in my opinion that Generation Z is different from the one in my class," said Ratu Felisha.

Yang gen z ini lebih natural seperti nggak akting gitu kel, karena angkatan saya, ya nggak utug juga kan kalau kita lebih seperti ke deep gitu,i seperti ngomanya masih ada enggota-nggotusnya yaitu, ada stresinya masih. Gini lah gitu kalau anak-anak gen Z ini bisa seperti orang nggak akting gitulah akut, multiban aktingnya semua ukuran-keren, ideali ini masih harus banyak belajar sama yang gen Z yang bisa se-flawless itu, tambahnya.

For two decades serving as an actor in Indonesian cinema, Ratu Felisha admitted that she did not want to quit the world that had made her name but she also no longer had a dream that she wanted to pursue. He just wants to continue to entertain his fans as long as he can still entertain.

"Yes, I still have to follow their development, I just feel very grateful that I am still in this industry, right, almost 2 decades, yes, I have been tut from the age of 20 now," he added.

"Well, it's him, I'm not ambiguous, it's less ambiguous, I don't think my son has a goal-goals to win the trophy, do I just enjoy the journey process more, it's just the journey. No (retir), if you can still play, play, be your grandmother," said Ratu Felisha closing the interview with VOI.