Rose Film Review, Diving The Mind Of Skizofrenie

JAKARTA - Rose's film presents a story of pushing mental disease that may have been numerous. But Rose's film provides a unique perspective. This film invites viewers to dive into the minds of patients, fictitious figures who are involved in his mind, to the most important thing is to empathize with him.

Film karya sineas Niels Arden Oplev ini berada dalam genre drama keluarga yang disampaikan sentuhan komedi dalam dialog-dialog sederhana para tokoh.

Rosetak only relied on intimate script power from the start. In the front row, there were Sofie Grabul, Lene Maria Christensen, and Anders W. Berthelsen who moved the story with sticky chemistry to the last minute without losing tension.

Don't look for this film in the cinema (because it doesn't air regularly in big screen format in Indonesia), especially on pirated sites. You can access legally starting this month on the streaming platform ClickFilm.

The film started when I was on the bus, Inger introduced himself as a person with Skizophrenia. This shocked other tourists. However, Inger's honesty caught the attention of Christian (Luca Riechardt Ben Coker).

This boy traveled to Paris with his parents, Andreas (Soren Malling) and Margit (Christiane Gjellerup Koch). Andreas warned his son not to get too close to Inger. The more banned, Christian and Inger's intections even strengthened.

What makes it easier for the audience to love, Inger is not placed as a prisoner without power. He seemed human even when his illness recurred, we could understand and still love him. Sometimes, his behavior is annoying.

Niels Arden Oplev can translate in detail how Skizophrenia impacts not only psychologically but also physically patients who transform into fire and appear to be years older than those who are healthy.

Honestly, in this film, Inger as the axis looks older than Ellen and is based on her biological mother. This is where the depiction of the character of Skizophrenia feels real and convincing.

Sofie Grabal's performance from a style of speech, way to look at the interlocutor, fussy to angry, body posture when standing or walking, everything isbelievable. Coupled with his style of dress, without talking, the audience understands that something is wrong with Inger's psyche.

Ellen and Vagn are support systemsyangimperfect. In fact, this is where the point of perfection of family dramas is based on this mental health issue. Too much film if Ellen is described as 100 percent patient and never angry. If needed, he did not hesitate to slap.

Niels Arden Oplev is well aware, without being dramatized, Rose's material is already a drama. So, the fragments of comedy spices are sprinkled so that the Rosetak is too thick while still focusing on the patient's inner journey with mental illness.

Another power of this film, actually exists in the selection of players. Everything that appears on the screen is acting prime. What makes us curious is how cool Jacques and Inger lost their minds when they broke up.

In the end, we understand that we are in Inger's position. Not to mention, in a number of scenes, it was explained how deep Inger stepped in with Jacques, including their fairly wild sexual activity.

Rose bukan hanya perjalanan psikona Inger. Ia adalah perjalanan psikolan penonton untuk memahami kondisi orang lain. Bahwa dalam perjuangannya melawan penyakit dan mempermatukan dengan keadaan, Inger masih bisa bermanfaat dan menikmati orang lain.

Rose is a slap to the conscience of the audience who claims to be sane. Should we be of benefit to others even though it is only with the good of the senoktah? Don't expect Rose to present the miracle of dahysat about healing.

This film talks about a miracle on a micro' scale about affection, making peace with the past, being beneficial despite being labeled crazy', and a stack of other heart wonders. Rose's final scene is simple but deep. Must watch.