Jakarta - Ahead of its global launch, Oppo has started to open up a little bit of its latest flagship camera capabilities, the Oppo Find X9 Ultra. The focus is clear: "pro" class photography right from the palm of your hand.
The collaboration with Hasselblad is back in the spotlight with the update of Hasselblad Master Mode 2.0. This mode now supports RAW MAX and JPG MAX formats, giving users more flexibility - whether they like serious editing or want instant results but still premium.
What is quite eye-catching is the claim of a dynamic range of up to 16EV. On paper, this means the camera is capable of capturing a wider range of detail between dark and light areas, especially in extreme lighting conditions - for example, dramatic sunsets or night photos with contrasting city lights.
In terms of flexibility, this camera system supports a wide focal length range, ranging from 14mm to 230mm. This means that users can switch from ultra-wide to long zoom without losing the typical visual character.
Not only technical, Oppo also plays on the aesthetic side. There are classic film-like color styles such as Portra, 800T, and TX400 that can be used directly in the camera app. There is even a wide ratio mode like XPAN - a niche feature, but potentially a favorite of visual creators who want to frame differently without having to crop manually.
For users who like full control, manual settings are still available, plus AI-based presets that can save up to 20 different configurations. So, if you've found your favorite "photo recipe", just save it - no need to reinvent the wheel every time you take a picture.
In the hardware sector, the Find X9 Ultra is also not playing it safe. This smartphone is said to bring a quad-camera system, including a 200MP main sensor, a 3x 200MP zoom lens, a 10x periscope, and a 50MP ultra-wide camera. This setup is clearly targeting users who are serious about mobile photography, not just point-and-shoot.
The official launch is scheduled for April 21, 2026. With the specifications carried, Oppo seems to want to send a simple message: smartphones are no longer just a backup camera - this has entered the territory of the main camera.
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