Nirina Zubir Reveals The Scene Of Bathing The Body In The 'Call From The Grave' Becomes The Toughest Horror

Nirina Zubir (Virgi/VOI)

JAKARTA - Actress Nirina Zubir expressed her extraordinary inner experience when she played her role in the latest horror film, Call from Grave.

He admitted that there was one scene that he liked the most and destroyed him, namely when he had to wash his son's body, a fear of being the biggest for every parent.

Nirina honestly admits that the scene is very draining because it intersects directly with her role as a mother in real life.

"So, one of the things I don't like the most is the scene where I wash the corpse. How's the deepening? I try to keep it hidden, don't explore it because I'm afraid, meaning that's the horror that my parents don't want the most. Amit amit amit amit," said Nirina in the Central Jakarta area.

His fear was so great that he had asked the production team to remove the scene from the script.

"Even I said that, 'Can the scene be taken out or not? It's like, can't it be like that?' that's because I'm afraid, I'm afraid it's extraordinary," he continued.

Although in the end he had to do it professionally, Nirina described how devastated the feeling was when she played the scene.

"So for, for me to play this, wuh, it's really badly destroyed. So it's really fitting again from reading, it's already weak," he explained.

Nirina explained that the production process for the film Call from Grave was marked by a tough debate.

He revealed that there was one crucial scene that he asked to delete because he felt too heavy emotionally, but the demand was rejected by the production team for the sake of the integrity of the story.

Nirina did not hesitate to tell her efforts to avoid the scene of bathing her child's body which became a scourge for her since the beginning of the reading process.

"There was even a debate, 'Can you take this part out?'" recalled Nirina.

However, the production team has strong reasons to keep it.

"'Oh, sorry, but I can't. This is because we describe this scene as important', and I'm like 'Oh, okay'," he explained.

Even though she had to go through the scene, Nirina was grateful that the shooting process took place quickly. According to him, the entire team felt the same emotional burden, so they worked efficiently to get through it.

"We shot it wasn't long, sir? When that part happened, that's why our soul was tired and extraordinary," he said.

"But yes, because we have avoided it, it is a wound or ulcer that we don't want to touch, so the scene is fortunately, everything is really tek tek tek, OK, we can get through it quickly. If not, well, it can be even more destroyed," concluded Nirina.