Four weeks after its release, Taylor Swift's latest album, The Life of a Showgirl', and its flagship singles, The Fate of Opelia, successively topped America's most prestigious charts, Billboard 200 and Hot 100.

This achievement is not just domination, but a record that has never been touched by any artist before.

With The Life of a Showgirl' and The Fate of Ophelia leading the Billboard 200 and Hot 100 over the first four weeks, Swift confirmed an unrivaled milestone: debuting at No. 1 on both charts simultaneously and maintaining both positions for a full month.

His album has now officially made an important achievement by staying unbroken for four weeks at the top of the Billboard 200. This note makes 'The Life of a Showgirl' the second album in 2025 to be able to control my brain for the first four weeks since its release, following in the footsteps of Morgan Wallen with I'm the Problem which had lasted eight consecutive weeks.

Other figures also prove Swift's superiority. According to data from Lumate, until the week ending on October 30, the pop star managed to collect a total of 146,000 album units in the US.

The closest competitor on the Billboard 200 is the soundtrack for the film KPop Demon Hunters, which is stuck in second place with 84,000 units, followed by the stagnant Wallen album in third place with 76,000 units.

Not only the album, Swift also extended her dominance on the Hot 100 charts. Single Fate of Opelia remains in the number one position for four consecutive weeks.

His clever strategy clearly helped maintain this position: on October 28, Swift released a special edition of "Alone in My Tower (Acoustic Version)" from the song, which is available for digital purchases until October 30.

During the monitoring week, the excited single pop managed to collect 29 million official streams, nearly 55 million impressions of radio shows, and sold 22,000 units.

Meanwhile, the Billboard 200 chart is also decorated with newcomers. Daniel Caesar finally won his first top 10 album with the 'Son of Spergy' which opened in fourth place, producing 43,000 units of equivalence albums. A total of 26,000 units of them came from 34.11 official streaming and the remaining 17,000 units from album sales.

Elsewhere, Brandi Carlile's latest album, Returning to Myself, debuted seventh with 35,000 units of equivalence albums. Not to forget, Demi Lovato landed in ninth place with It's Not That Deep which pocketed 31,000 units, with 24,000 of them in the form of album sales.


The English, Chinese, Japanese, Arabic, and French versions are automatically generated by the AI. So there may still be inaccuracies in translating, please always see Indonesian as our main language. (system supported by DigitalSiber.id)

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