Believe In Musica Studios And WAMI, Heirs Don't Want To Join Nagiah Royalti Titiek Puspa

Badminton Tunjungsari, Titiek Puspa's son (Ivan Two Men/VOI)

Tunjungsari, the heir of copyright holder from Titiek Puspa's works, entrusted all matters of economic rights or royalties to Musica Studios as the label where the deceased took shelter, before he died on April 10.

He stated that so far the royalties received from the label have been going well. With this,men also emphasized that his party does not want to hand over the mother's royalties to be managed or collected by other parties, which do not comply with applicable regulations in Indonesia.

"Lancar, thank God, we just follow the existing regulations in this country. And we are trying to mediate, the term helps so that all of that is not double standard. So, there must be a standard, "he said, when met after 7 days of Titiek Puspa's death in Melawai, South Jakarta, Thursday, April 17.

You feel that the management of royalties in Indonesia is currently running in a good system. He did not want to be busy by having to collect economic rights for the use of his mother's copyright.

"And sorry, yes, this system is called actually raising our dignity as composers. So that we don't look like sorry for taking pot credit. Yes, because there is already a container," he said.

Furthermore,mengatakan, katakan, hubungan baik Titiek Puspa dengan Musica Studios sudah berjalan sangat lama, dan menjadi hubungan bisnis yang saling menguntungkan kedua pihak.

Di samping pihak label,men juga menyebut sang ibu terdaftar sebagai anggota Wahana Musik Indonesia (WAMI), salah satu Lembaga Manajemen Kolektif (LMK) yang bertugas mengelola royalti performing rights.

"My mother has been friends with Musica for a long time, so it's like family and good friends. And indeed my mother has entrusted everything to Musica and WAMI," he said.

They also don't want their mother's royalties to become another bumboos' in the problem between songwriters and singers which has recently been in the spotlight.

"Let's cool the head. All of them are friends. Composter if no one sings, who wants to sing? Singer if there is no song, how can he express his singing technique, so he ends up being known? ," said komposer and singer if there are no band or musicians, the final result cannot be maximized. So, we are all friends.

In addition, considering that Titiek Puspa's economic rights or royalties are still the heirs' rights for the next 70 years, way to ensure that he will teach the rights of the deceased's copyright.

But the main concern is not only about royalties. He wants his mother's name to be remembered as a creator, along with his songs that will continue to exist.

I told my children, You have to understand the issue of royalties. We don't have a problem with royalties in terms of the economy, but we have to respect his creation. We go into the realm of royalties in order for us to preserve and maintain his creations," he said. Because creations are not everyone can do it. In my opinion, the one who made it had to be extraordinary, because he didn't go to school, he couldn't write a notation, he couldn't use musical instruments, yes, he was a very villager.