Supported By The Indonesian Air Force, The 1947 Cadet Film Tells The Story Of The Flight At The Beginning Of Indonesian Independence

1947 Cadet Film (Photo: ANTARA)

JAKARTA - The film Cadet 1947 received full support from the Information Service of the Indonesian Air Force. This film is expected to be able to tell the conditions and situations of aerospace in the times leading to independence

From the poster and the first trailer before its screening in the cinema, it can be seen how enthusiastic the cadets are in learning aerospace. CADET 1947 producer Celerina Judisari said the film wanted to invite young people to love Indonesia and themselves from a realistic point of view.

“Anyone who has had a life struggle from scratch, has no experience, has never been doubted or even considered by others as a cadet. I'm sure many people can relate to this story. This teaser is just the beginning, there will be many other surprises during the film. We ask for your support to come to cinemas at the end of this year," said Celerina as quoted from ANTARA, Tuesday, September 21.

The 60-second official teaser reveals a number of dramatic scenes, starting with the appearance of a burning Guntei plane with smoke rising into the air. In line with the teaser, the film poster also features an illustration of a Guntei plane that has just blown up its target.

One by one the figures of young people sweating and dust from Maguwo appeared. They are the cadets, Sigit (Bisma Karisma), Mul (Kevin Julio), Har (Omara Esteghlal), and Adji (Martino Lio) and the air gunners, Tardjo (Wafda Saifan), Dul (Chicco Kurniawan), and Kaput (Fajar Nugra). .

Accompanied by the majestic background of music, the audience is made even more tense when they see the figure of Tardjo (Wafda Saifan) raising a rifle to the opponent's face. Who is the target of the shot; of course the answer can be found when the film officially airs.

One of the directors and scriptwriters of Cadet 1947, Aldo Swastia, said that the film featured many characters, so that only one or two central characters were represented.

“They are a group of young people who have different characters but have one goal. Just like the actors, there are often cheerful characters in other films, here they have to play a serious character, for example. There are also those who are familiar with the modern romantic genre, now they have to act like young people in the past. The process of shooting this film really took the actors out of their 'comfort zone', until they succeeded in giving their respective colors to this film,” said Aldo.